Shakespeare, theory and performance

Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from...

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Bibliographic Details
Other Authors: Bulman, James C. 1947-
Format: Book
Language:English
Published: New York Routledge 1996
Subjects:
Online Access:Click Here to View Status and Holdings.
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041 0 # |a eng 
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245 1 1 |a Shakespeare, theory and performance  |c edited by James C. Bulman 
264 # 1 |a New York  |b Routledge  |c 1996 
300 # # |a vi, 218 pages  |c 23 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references and index 
520 # # |a Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike. 
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700 1 # |a Bulman, James C.  |c 1947- 
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