Yoshio Taniguchi (谷口 吉生, ''Taniguchi Yoshio''; born 1937) is a Japanese architect best known for his redesign of the Museum of Modern Art in New York City, which was reopened November 20, 2004. Critics have emphasized Taniguchi's fusion of traditional Japanese and Modernist aesthetics. Martin Filler, writing in ''The New York Times'', praised "the luminous physicality and calm aura of Taniguchi's buildings," noting that the architect "sets his work apart by exploiting the traditional Japanese strategies of clarity, understatement, opposition, asymmetry and proportion." "In an era of glamorously expressionist architecture," wrote ''Time'' critic Richard Lacayo, MoMA "has opted for a work of what you might call old-fashioned Modernism, clean-lined and rectilinear, a subtly updated version of the glass-and-steel box that the museum first championed in the 1930s, years before that style was adopted for corporate headquarters everywhere."
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Yoshio Taniguchi (谷口 吉生, ''Taniguchi Yoshio''; born 1937) is a Japanese architect best known for his redesign of the Museum of Modern Art in New York City, which was reopened November 20, 2004. Critics have emphasized Taniguchi's fusion of traditional Japanese and Modernist aesthetics. Martin Filler, writing in ''The New York Times'', praised "the luminous physicality and calm aura of Taniguchi's buildings," noting that the architect "sets his work apart by exploiting the traditional Japanese strategies of clarity, understatement, opposition, asymmetry and proportion." "In an era of glamorously expressionist architecture," wrote ''Time'' critic Richard Lacayo, MoMA "has opted for a work of what you might call old-fashioned Modernism, clean-lined and rectilinear, a subtly updated version of the glass-and-steel box that the museum first championed in the 1930s, years before that style was adopted for corporate headquarters everywhere."
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